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<p>The game features multiple backgrounds that, along with the segments of the circle, are procedurally generated meshes. This allowed the colours to be changed constantly but keeping batching intact to maintain efficiency. It also benefited in allowing the segments to be sized perfectly. Another result of this is that each segment is actually multiple parts that can be accurately resized, along with the glow that shows when they are filling up. </p> <p>The background patterns change with each difficulty level, either shape and colour or just colour. They are governed by functions, allowing them to be changed easily.</p>
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First, we connected to competitors, liquor producers, and similar market shares in order to reach a proper demographic that would respond positively to our media campaign. The Twitter campaign was designed to take the strengths of our earlier Flyer advertisement and perpetuate it into a bigger campaign. By using the original ad as the profile picture and adopting new ways to play off the slogan, the campaign is congruent to and connects the message from older ads to new campaigns on Instagram and Facebook. The use of catchy fun hash tags allows user interaction in retweeting and rehashing our quirky, but potent phrases and slogans that will help produce a stronger brand familiarity while promoting and maintain a trending slogan. Our next photo shows the combined nature of our campaign on social medias as Nicholas Williams adapts and further promotes my tweets.
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